With television, the thing I was not used to is the pace and the voracious appetite of the show as a whole. You have to have a lot of material, a lot of storyline and a lot of music, and there are so many moving parts, and the logistics are so challenging with television. Because so much of what we shot was on location in Manhattan , too. So it was just like one challenge after another. This project felt really, really big. So when we got to our last day of shooting, there was such a sense of gratification because it takes such an army to create something on this scale.
Apparently everything I do has to have starred Keri Russell at some point in time. It became really organic to imagine the world of a young songwriter. So it was a super no-brainer to just kind of combine these into a story about the life of a young songwriter, inspired loosely by the experiences in my life.
And I had to fight so hard to feel like my opinion mattered and that I had something to offer and my wisdom was worth listening to.
So I want young women, especially, to sort of start thinking about that at a young age, to remember that they have innate wisdom, that they have good ideas, that their voice is worth listening to. Oh, absolutely. I remember vividly, many, many times… and continue to deal with it! I think about it in terms of being the delicate dance between collaboration and concession. Every sound was a battle. Yeah, we have some sweet Easter eggs. All of that was still there, but now it just feels like everybody had a chance to pause and digest what was going on.
That song feels anthemic to me, which is a very corny rock-critic word, but I can so vividly picture a huge crowd of people singing along to it at a concert or even at a protest.
Did you set out with that song to write something explicitly bigger in any sense? I think when my husband and I sat down to write that, I wanted a song that I could belt, and felt like was our own. I love the way that it came out, but also I performed at Carnegie Hall, which was one of my last shows that I played before everything changed. But we performed it there stripped down with piano and strings, and I just recorded a version like that as well. It is. I was going to say, you are seriously belting on that song, and on other songs on this album.
Has your relationship with your singing voice changed from album to album? Do you feel more confident as a vocalist now? Oh, without a doubt. The one thing that Stu really wanted to capture was how I sing live, and so he said the way that he likes to track his vocals a lot of the time is by taking the headphones off, and then you play the track coming back at a really low volume.
You were pregnant while recording this album: Does that affect your voice specifically in any tangible or intangible way? Or is it just that absolutely everything is harder? I actually felt like things were easier. And I ended up, I sang with Mavis Staples on, I think it was my due date, or at least a couple of days before I was due. And I sang with her at the Ryman, and I was so big, but I still got out there and gave it my all.
But when I was recording the vocals, I was more like, probably four to six months pregnant. Me and Sturgill, whenever we would come off the road, we would meet at The Butcher Shoppe and just work on everything. I feel like I just took so much more time with getting this album the way that I wanted it than I have prior.
Is that song an exaggeration at all? And part of the appeal to me to become a musician was that you would never get sick of being in the same place, after just being stuck in my hometown. Growing up was so painful. MEAD It went great. It was actually really lovely. But, like many old homes in Berkeley, it has rats. They were kind of like the little helper spirits.
What does it mean to you? Do you think humans are solitary animals? Living alone—the solitude is really important. Having time to let your brain spin, having unscheduled time to just. It seems like this crazy tension between not being able to perform and not being able get fed—literally and figuratively—in that way, but also having a lot of unscheduled time.
But a lot of my friends and people in my community are not in the same boat. Stream here. Supes are driving the political agenda in SF. Pianist Holly Mead: "I think that some of us like solitude more than others. Top Reads. Supes are driving the political agenda in SF July 15, Or is it something that you listen to solo just to appreciate? Gosh, I think a mix of a lot of those. So, it did make me inspired. But also very curious. They live in this small rural area. Somehow just knowing that, it makes sense—like, thinking that Jack grew up in an area without a lot of people around, without a lot of people judging him.
Yeah, totally! You said you first got the record at a Tenacious D concert. But have you seen them live since? Because I followed them. I would go—especially when they played in the Midwest.
I remember going either with my older brother, who was a big fan. Or my best friend. I saw them in St. Louis and Kansas City, Indianapolis. I saw them in L. Learning about you through research for this, it seems like your interest in comedy and performing came a bit later. But the whole time you were enamored with this great comedy band. Do you think about that dynamic at all? Yeah, it makes a lot—I guess—more sense now.
Did you ever think about starting a band, just for music or to do a comedy musical group? What difference ultimately has it made in your life? Oh my gosh! What would I? I could never come up with that!
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