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We aim to show you accurate product information. Manufacturers, suppliers and others provide what you see here, and we have not verified it. See our disclaimer. All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either -- Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music.
Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was "Doctor Robert," an ode to his dealer, and things just got stranger from there as he buried "And Your Bird Can Sing" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with a triptych of bad trips: the spiraling "She Said She Said"; the crawling, druggy "I'm Only Sleeping"; and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops.
McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon's and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Even after Sgt.
Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. But Revolver deserves more attention as an innovative project and not just a stepping stone between moments of greatness.
What the years of delicate technical enhancements left us with is a sweet stereo album that sounds lusher, with its authenticity and minor musical nuances and production magic restored to their fullest. In other words, expect the same realness and pure, Beatles-as-they-were-meant-to-be-heard fullness as on the other albums released. And for the most part, non-audiophiles Among the extras used to create that effect are doubled vocal track technology, reverse guitars, processed vocals, and looped tape effects.
These effects are crucial in giving the band a new sound on the record and demonstrating their commitment to being pioneers. Revolver is a controlled burn of sorts. Its aim is to maintain some rock sensibility while moving toward the psychedelic trademarks of effects, vocals that trail off into a multi-colored eternity, and guitar work that is both bluesy and almost non-existent at the same time.
But since this is their first real crack at the genre, the band sees minimal experimentation with the lyrical content and themes.Consulta los créditos, las críticas y las canciones, y compra la edición de Vinyl de Revolver en Discogs. Label: WEA - • Format: Vinyl LP, Album • /5(6).