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I can see this has already been discussed, but overall should this really be considered a studio album? Sure somepeople call it a studio album, but really? These were not recorded in the same session but rather spread over sessions.
It's like saying a 'Lost tracks' album is a studio album. But should this really be considered a studio album? Is a B-Sides album a studio album? I think it's "outtakes compilation" album. Not really a "compilation" like a "best of" or something but still not a studio album. After all, if it was either "studio" or "compilation" than im for the studio! Just my opinion. Rueda Y Rueda. Rueda Y Rueda on Ciclos. Sold by Amazon. Additional taxes may apply.
The Quietus. Retrieved 31 July September Retrieved 31 August Retrieved 3 June Archived from the original on 6 October Retrieved 19 January Archived from the original on 9 February Wellington: Transpress.
Archived from the original on 24 October CODA S3. Gloss Black. Flat Steel. Easy Accessorizing Every Coda offers a full complement of eyelets and rack mounts to simplify installation of a rear carrier, fenders and ring lock. Stopping Power Going elbow-to-door-handle in traffic with cars requires a reliable brake system.
The band is being called Coda, but as the liner notes say: it was originally intended to be an Erik de Vroomen solo project, and you can hear that: the keyboards of Erik de Vroomen are central to the music.
Erik de Vroomen is also the only composer, and was producing the band as well. In short: this is Erik de Vroomen's vision. The rest of the band can be heard as well, but they are not very upfront in the mix, with the possible exception of the great sounding lead guitar from time to time. Oh, to be clear: it is a real band that is playing, it is not like the Alan Parsons Project without degrading the latter. And the band could play hard and fast also, as well as subtle like a well integrated seventies symphonic prog band.
The music is I'd say neo progressive in form, but symphonic progressive in content. The sound is state of the art mid eighties, and keyboardist Erik uses modern equipment, but in retrospect the sound is somewhat artificial, and one would wish that more room would have been given for either acoustic instruments or vocals. Still, Erik de Vroomen is a master at the keyboards, not virtuoso sounding, but on the other hand quite skilled.
And, on top of that: Erik de Vroomen is an excellent composer. Sounds of Passion is a very mature sounding, carefully designed multi movement suite! De Vroomen is s musical perfectionist, who was definitely aiming to make a masterpiece of progressive music. In the cd version there are two vocal tracks added, which are like extended songs, but they have the same quality as the instrumental epic, and make the record a bit more personal.
Defended is especially memorable, because there is a majestic instrumental climax at the end, in the best symphonic progressive tradition. The album is very good, but still not what it could have been.
Erik de Vroomen has worked for years and years on it. But in those days, in the Netherlands, it was very difficult to find support for that kind of music. The drums especially are a bit weak, a fact underscored by Erik de Vroomen who really wanted to add a drummer like Pierre van der Linden Focus on the album, which in fact almost happened. Probably the second cd of the re - issue gives some more insight on what the music could have been.
Still, even when the weak points are being kept in mind, the album is still an almost - masterpiece, worth four stars. The compositions and playing are legendary for the biggest part. Also the music is being helped by the concept matter that Erik adds in the liner notes and in the spoken words on the cd: about a search for truth, and the tragedy of man often being inclined to choose the lie. This album should be much more heard than it is now!
Coming across this CD now in makes that a bit hard to understand though. The guy handling keyboards obviously knows his classical music, arrangements and use of instruments has a strong symphonic tinge to them; and the bass player here knows his jazz; and there's lots of interesting soundscapes and sonic textures woven in the main tune as well as the two shorter tracks following.
The main problem I have when listening to this stuff now is that often the music isn't going somewhere, some good segments here, others there, but they are not placed within a context that leads to anywhere, instead of evolving or developing I feel that as a listener I'm picked up and dropped down to individual scenes rather than taken on a musical journey.Coda is a Rock en Español band from Mexico, formed in The band had much of success in the early s, releasing four albums. In the late s, the band had several line-up.